(Sv: Jag är kommen)
Bunraku dolls with animated eyes and eerie doll handlers in sugarbeet fields and in castle interiors. Parallell portraits: survivors of Nazi concentration camps who were used for labour in the sugarbeet fields of Scania in 1945; Nazi war criminals smuggled out of Germany who were hidden away in castles in Scania.
Kalle Brolin Works 
En tanke på “I am Come (2020)”